From Improving Your Prospects ~ Topics: advice, professional development, writing
Measuring Up: 5 Reasons to Hone Your Verbal and Written Skills
How do you rate in the workplace? What are best practices? What skills do designers need in order to excel at and accelerate in their careers? AIGA and Roz Goldfarb Associates surveyed a small, but geographically diverse group of hiring managers to learn about the skills they seek in creative talent beyond visual communication abilities. This is the first in a series of articles sharing their insights and constructive comments for designers, to offer a window onto the hopes (and frustrations) of your potential employers. We hope this information will be useful, so please share your thoughts and questions, too.
Elevator 5 (photo by Flickr user Andrew Callaci)
Fifty-three (53) percent said the designers they work with lack professionalism in their writing, especially when it comes to e-mail. Employers not only consistently stressed the importance of written communication as a skill, but also pointed out the qualities that are required to deliver the desired tone of expression. They noted the importance of having a “knowledgeable and objective voice” in written communication. A “professional tone” is one of the many ways in which a company communicates its brand to its customers as well as its employees. Some found that their designers responded well to such constructive criticism, but do not expect to always get feedback from your employers—sometimes you simply won’t be asked back for another job. Always keep in mind that your correspondence is a reflection on the firm you are working for, which is linked to the quality of the final product, the firm’s efficiency, the quality of its creative output and ultimately the company’s reputation.
Eighty (80) percent of the managers said there was a general lack of clarity in written communications. The ability to clearly express ideas, instructions and feedback in writing is very important—this should be a logical assumption of designers, who are trained to seek clarity as a creative necessity. For just as design thinking requires analysis and the distillation of ideas for problem solving, designers should be able to apply those skills to written and verbal communication, developing the ability to communicate in a focused manner. The quest for clarity of expression is of course a common problem in all areas of communication, and designers are not alone. However, the success and profitability of your projects rest on the quality of communication—whether you are communicating with clients or vendors or within your own creative team. It is a business requirement, not just an option.
Seventy-four (74) percent complained about poor grammar. Ask someone you trust to read your work first, to see if it makes sense. Or take advantage of free resources online (podcasts, blogs, tweets) that can advise you on correct usage. Don’t risk making common mistakes that could undermine your achievements.
Twenty-seven (27) percent said that you should improve your vocabulary. Grammar and vocabulary are linked. This survey points out that designers have a much better grasp of vocabulary than grammar. But the best way to improve on both is to read more, or take a half hour each day to listen to a good podcast. At the very least this should serve as a reminder to consider your spoken and written communication abilities. While in many instances it is acceptable to use professional lingo in speech—in fact it may show that you are aware of trends and demonstrate that you’re well informed—you would be wise to use more proper language in formal business communications. Jargon might not be tolerated or even understood by corporations, your clients. Particularly if you are involved in global projects, you should take precautions to ensure that nothing is lost in translation.
And… surprise… 33 percent complained about spelling. We all have spell check, be sure to use it. Not only in formal documents but in your e-mails too!
In conclusion
One principal of a brand consultancy commented, “Designers need to be able to tell a story.” How wonderful and succinct. The artist Robert Motherwell once said, “Painting is a metaphor.” So is design. Designing a visual story is what designers do best—communication is at the heart of design. Just as communication with others through verbal expression is essential, design and the written word are part and parcel of the creative process. In the end, your ability to communicate effectively and compellingly will allow the final creative solution to flourish.
5 helpful resources
Grammar Girl’s Quick and Dirty Tips
Grammar Monkeys (Twitter: @GrammarMonkeys)
Andrea Marks, Writing for Visual Thinkers (e-book / download PDF excerpt)
William Bostwick, “How (Not) to Write Like a Designer” (via Core77)
Learn Your Damn Homophones (if you can look past the crass tone, this website tells it like it is!)
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Impressive results on the survey, high rates of complains about a communication skill that should be mastered by designers. Thanks for the links about grammar, they will be useful for a secondary language english speaker like me.
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This is SUCH an important point to make. Besides design skill, writing skill is the top factor we consider when looking at new hires.
David Cecil | Owner
Johnny Lightning Strikes Again
Web Design. Graphic Design. Branding. -
As a designer who is also a writer, I couldn't agree more with this article.
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Thank you for this article! I'd also add that writing helps to clarify ideas (as you said) and therefore spread them further. This is particularly important for creatives who are their own brand. (I talk a little bit about this on my website: http://tinyurl.com/345g7va and http://tinyurl.com/28yu22r).
I look forward to the rest of the series!
- Margi -
The Mac is Not a Typewriter is also a good book.
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The article is a rich but, visualising with words goes very deep more than just concentrating on grammar. other skill also play vital role in it. though the bottom line is a good writer can visualise and a good designer can tel not write.but both together shoots you to the sky.
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This is a very important topic that is being ignored in many universities. It seems that some design faculty are solely relying on one or two freshman English classes to prepare students for the professional world. It would be helpful to also include a business writing class (or several) as part of design curriculum.
I've found two sources to be very helpful with writing and grammar. "The Elements of Style" and "The Elements of Grammar." Check your local bookstore first and have them order for you if not immediately available. -
Graphic design and writing are both forms of communication. But just as it takes more than a copy of Photoshop to be a great designer, it takes more than grammar and proper punctuation to create a professional and compelling written message. Designers create amazing targeted visual messages. Writers weave the words together to clarify, educate, delight and inform. Both the designer and the writer should work together . . . and the writer should have a knowledge base and understanding of design process and mission. This makes a winning team!
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I think that this is a general issue with the high tech world - because the work environment is much more relaxed than, say, that of a law firm, their communications are a reflection of this.
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Spelling and grammar are HUGE problems I have encountered throughout the years from designers. They can create beautifully compelling pieces, but then there's the misspelled word. Writing is always an integral part of design, and I haven't the faintest idea why they haven't grasped that! It costs a lot of time and money to redo projects, especially in print. Also relying on spell check is good, but surely not enough. You need a strong foundation in English overall.
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"The quest for clarity of expression is of course a common problem in all areas of communication, and designers are not alone ..." is a lesson I've learned as someone who functions as the only trained graphic designer in a team of all writers. Being outnumbered is both a blessing and a curse in that type of work environment. On the one hand, it's not a bad way to strengthen one's writing skills by learning from the expertise of one's colleagues; on the other, it's not uncommon for the design and visual process (mostly cognizance of the time and effort that goes into that) to play second fiddle to the equally demanding field of copywriting, fact-checking and editing. In an organization like ours that produces large volume collateral like annual reports, weekly enewsletters, brochures, public and legal notices, advertising, press kits, etc., there is a definite struggle over which craft matters more (i.e. who gets more attention and time at the editor's desk?)
More often than not, I find that it is expected of me to double up and perform the work of spellchecker, grammar editor, and message crafter. Not just that, but do it well, too! I know that this experience has given me tremendous respect for writers and their craft. If anything, I feel like I've been given real work experience as a writer, too, because of it. While I don't always feel like the same regard is given to me and my craft, it's definitely made me more aware of the common problems we all face in the communications field. -
Most people, not just designers, could improve their ability to communicate well—either verbally or in writing. In addition to knowing the mechanics of proper speech and writing, every professional must be able to express ideas clearly in the tone and manner most appropriate for the audience and situation. For designers who are uncomfortable writing, there are many helpful resources, such as those listed in this article and another good one, The Elements of Style by Strunk and White. There are also many designers who are excellent writers — many who contribute to this site and are respected authors. They, too, can provide a source of inspiration.

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